Welcome back to Finetuned! This week is all about a very unique artist, Alex G. Alex has a very interesting perspective on music creation, from lyrics to production to general approach. This is a bit of an acquired listen, I’d say! Let’s do this.

Alex G, the moniker of Alexander Giannascoli, is an American indie rock musician from Havertown, Pennsylvania, just outside of Philadelphia. He began recording and self-releasing music on Bandcamp in the early 2010s. He quickly gained a devoted online following thanks to his prolific output and unique DIY aesthetic. Initially a solo project, Alex G's live performances eventually solidified into a band that includes longtime collaborators like Sam Acchione (guitar), John Heywood (bass), and Tom Kelly (drums), though the recordings remain primarily self-produced by Giannascoli. His breakout moment came with 2014’s DSU, which led to a signing with Domino Recording Company.

Alex G’s vibe is intimate and cryptic, marked by a mix of lo-fi charm and ambitious experimentation. Though he’s often categorized under indie rock or bedroom pop, his music draws on everything from Elliott Smith’s confessional songwriting to like a warped or distorted version of Americana, or something similar to this. He’s known for genre-blending and sonic “shapeshifting”, regularly filtering folk, punk, noise, and even country elements through his eccentric and homemade lens. Truthfully, his work maintains a strangely cohesive emotional tone: tender, haunted, and deeply personal.

Alex G’s music is notable for its balance between being quite accessible (easy sounds on the ears that can feel relatable) and obfuscation (kind of all over the place, doesn’t “make sense”). His sonic palette includes delicate acoustic guitar riffs, very hushed vocals, detuned pianos that make it feel “off”, lo-fi drum machines, and sudden forays into distortion or digital manipulation. A lot of the time, his tracks will start with familiar indie folk textures and veer into alien, glitchy territory mid-song. This unpredictability has become one of his signatures. It’s this sort of signature that really creates an immersive listening experience where warmth and unease often coexist. Of course, you could get artsy fartsy with it, which I will! This sort of sonic landscape is one that tells the story of warmth not immediately meaning or being comfort. A sound that has the collaborative existence of emotions that feel or are polar opposite. Recognizing that us humans feel both sides, all sides.

Production-wise, his work is intimate, almost tactile, often sounding like it was recorded in a bedroom - because, for much of it, it was. Yet, even as he’s matured into studio settings, Alex G hasn’t abandoned the rawness that defines his earlier catalog. He weaves in layered vocal harmonies, unconventional song structures, and ambient soundscapes to create music that feels emotionally immediate but thematically elusive. His songs don’t resolve so much as unravel, which can be tough for some listeners. And to be honest with you, this is how I felt when I first started listening to Alex’s tunes.

Why listen? Because his music makes the familiar feel strange and the strange feel familiar. Something like overhearing a dream you’ve half-forgotten. He writes songs that don’t just tell stories; they leave impressions that stick with you long after the sound fades.

A Step Further - Ultimately, Headlights is a mature, impressionistic meditation on memory, identity, and the unknowable parts of ourselves and others. It doesn’t offer clarity or catharsis, but in its ambiguity, it captures something deeply honest about the way we experience emotion: messy, unresolved, and beautiful.

Listen Wherever You Are

Finetuned Rec 👇

This record feels like a quiet revelation, leaning into introspection while stretching his sonic vocabulary in subtle, sophisticated ways.
Enjoy the jams, Finetuners!

artist - Alex G
album - Headlights
album rating - 9.0/10
fave track - Real Thing
hon. men. #1 - Afterlife
hon. men. #2 - Oranges

Thanks for reading here, Finetuners! I do hope you all have enjoyed this week’s Finetuned. I’d appreciate any insights, admiration, or otherwise. You can email me here: [email protected].

Please do share Finetuned with your friends & fam & whoever else! I believe great music should be shared, cherished, and understood from all sorts of perspectives.

See you all in the next one! 🙌

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